Category Archives: SAGMA Awards

1 year later…

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That was 1 year ago TODAY.

Since then, this page has exploded; over 3000 views, 37 subscribers, 41 posts and a hell of a good time has come of it.

I just wanna thank you all, my loving readers, for bothering to flick through the page and take a peek at my opinions. Isn’t that one of the great things about film – it can be interpreted in so many different ways, and it’s open to opinions from all sides of the scope.

Thanks for reading, my friendly friends. I’ll have some more stuff up soon.

All the best,

Elroy Rosenberg.

Follow me on Twitter (@ElroyRosenberg), on Instagram (gooserosenberg), and on Facebook (/TheSilverScreener)

2013 SAGMAs – Major Award Winners

This is it. The big daddy. The one you’ve all been waiting for. The 2013 SAGMA Awards for Best Picture, Favourite Picture and Best Director. These are the awards everyone stays up for when watching the Oscars, or the Golden Globes. Thanks for staying up.

The awards being given out today: Best Picture, Favourite Picture, Best Director.

To see the nominees, click here.

* * * * *

Before we give out the big awards, I did mention a secret award in my last post. Sneaky sneaky!

This award is brand new (along with all the other awards) and is just as, if not more prestigious than any other SAGMA.

This award was named after one of the best directors of all time, who could make any movie great, and directed timeless classics thanks to his attention to detail and want for perfection.

This award is called the “Kubrick Award” – For Film Appreciation, and is awarded to a movie that I deem worthy of the title “classic”. That’s blown me away with how beautifully it’s shot, written and produced. That made me feel emotion and invested me in the story. This award is for timeless classics of the past.

Kubrick Award – For Film Appreciation

2013 Awardee: The Usual Suspects (Directed by Bryan Singer)

Who is Keyser Soze?

Who is Keyser Soze?

What else can you say about The Usual Suspects besides….holy crap, was that as good as I think it was?

The Usual Suspects, starring the ever-so-brilliant Kevin Spacey and equally good Chazz Palminteri, is less of an action film and more of a manhunt. A manhunt for the famous super-criminal Keyser Soze. And what’s so brilliant about this manhunt is not only does it ironically all take place in a Police Station, but it’s a simpler kind of manhunt. It’s not chasing someone by running after them and tracking them down. It’s a manhunt with words and with stories. I believe few directors could achieve this feat to the effect Singer did.

This movie takes you on a ride. To find Keyser Soze and all his associates. To find out what he does, who he is and why he does it. Being engrossed in a story that you have no relation to or nothing in common with is a rare yet precious thing. The writing is so genuine and emotional – something few writers can say about their work nowadays.

I’m not sure if I’ve told you in all why this movie is so fantastic, so just see it for yourself…right now. Head on down to your BlockBuster or whatever you have down the road and watch this masterpiece. In terms of film making, this is perfection.

Best Director

WINNER: Wes Anderson – Moonrise Kingdom

Takin' a stroll...Anderson style.

Takin’ a stroll…Anderson style.

Moonrise Kingdom was an absolutely fantastic film. One of the best of the year, without a doubt. And sure, the actors contributed a lot. But really, how could you go past how well this film was directed?

Direction isn’t just about camera angles. Direction is also about style. Where should certain things go? What should be in the background of these scenes? What should the actors act like? How should we interpret this scene from the script? And then there’s of course how the scene should be shot. Well, Anderson’s wacky style certainly pulled through in this film. Some of his ideas would have seemed a little crazy in theory, but I’m pretty sure that’s exactly how he wanted it to be.

His direction was impeccable, not only in terms of shots, but his vision for this movie will go down in my book as one of the best I’ve seen. The unblemished sophistication and style that Anderson no doubt had control over has made Moonrise Kingdom a huge success.

Now you have a SAGMA, Wes. Without a doubt your biggest achievement.

Best Picture

WINNER: Argo (Directed by Ben Affleck)

These two were so awesome in Argo.

These two were so awesome in Argo.

Are you really that surprised?

Argo was a total triumph. I didn’t get the chance to review it, unfortunately, but it really ticked all the boxes. Affleck’s acting is good, sure…but his direction is fantastic. The Town is a brilliant film and this is certainly nothing short of brilliant too.

If you haven’t seen Argo, you’re living under a rock. This is the film that EVERYONE was talking about, and still will be seeing as it’ll probably grab “Best Picture” at the Oscars – which I wish would hurry up and happen, by the way.

I went into Argo wrongfully unsure about what to expect. The Town was a triumph and I don’t know why I didn’t assume this would be too. Well, I was proved wrong yet again as this film took me on a fantastically interesting journey. Argo actually made me look up the Iranian Hostage Crisis on Wikipedia when I got home from the Cinema – something few movies have done to me.

The whole film had a suspense about it. The scene where they’re escaping Iran, although heavily dramatized, was one of the most intense scenes I’ve seen all year. Affleck’s knack for grabbing the viewers attention makes him a standout, and I’m sure in the next 10 years, he’ll have made quite a few more of these gems.

Oh, and his performance as Tony Mendez wasn’t half bad, either.

Favourite Picture

WINNER: Skyfall (Directed by Sam Mendes)

Think on your sins.

Think on your sins.

I decided I’d put this category in there because I thought Skyfall was totally and utterly badass, and I really wanted to give it Best Picture, but honestly, it wasn’t Best Picture worthy. So I snuck in the Favourite Picture category and had Skyfall as the winner from minute 1.

This film really showed how good a modern take on a classic series can be. It’s fair to say Quantum of Solace was a HUGE disappointment, and Casino Royale, while pretty good, wasn’t the best Bond ever made. Skyfall needed to step up. It needed to raise the bar, or get close to the bar at least. Otherwise, who knows what would’ve happened to the Bond franchise.

Mendes did it. He and his fireball of Skyfall momentum not only raised the bar, it flew right through the bar, smashing it into little tiny bar-pieces. Take THAT, critics!

Daniel Craig actually put in a performance you could say was “Best Actor nomination worthy”. When you think Bond films, you don’t usually see the actor playing Bond getting an award for it (unless it’s Sean Connery, then I say give it to him!). But Craig somehow made this less about fighting and more about persona. After all, for a Bond movie, this was very personal.

The whole M thing was just awesome. “Think on your sins”…creepy. It probably didn’t help my already creeped-out conscience that Javier Bardem was so friggin’ good. He was a total badass, unlike the soft and gentle Bane. God damn it…do I have to mention Bane in every review I do!?

So, if you’re looking for a fantastic film to watch, then look no further. Skyfall will do it for you.

* * * * *

Well, that’s a great year for film gone. I appreciate you stickin’ around to see who I gave Best Picture to. If you’d like to see more of my reviews, then click the Follow button to the right.

Follow me on Twitter: @ElroyRosenberg

2013 SAGMAs – Individual Performances

It’s “individual performance appreciation” time. Where the best actors/actresses lock horns in an attempt to win the coveted “Best Actor/Actress” SAGMA; a.k.a the most important award of all time. Now we’re heating up.

The awards being given out today are: Breakthrough Performance, Best Performance from a child, Best Supporting Actress, Best Supporting Actor, Best Actress, Best Actor.

To see the nominees, click here.

*****

Breakthrough Performance

WINNER: Michael Pena – End of Watch

Pena ticked all the boxes here.

First of all, he was set up perfectly with an excellent script. End of Watch was essentially a buddy-cop movie, and very character driven. But the dialogue was immaculate and every scene was written to a tee.

Secondly, Pena was excellent in the role. His bond with Gyllenhaal, although fictional, was moving and believable. The ending of the movie was extremely sad, and did the characters justice because although this movie was violent and dark, it was the story of two friends that were inseparable. Pena’s performance shouldn’t go unnoticed and was a highlight in a movie that did a lot well.

Best Performance from a child

WINNER: Jared Gilman – Moonrise Kingdom

No...what type of bird...are YOU?

“No…what type of bird…are YOU?”

What a talented kid.

Moonrise Kingdom was a fantastic film, and partly because the acting was so god damn awesome. This is highlighted by Jared Gilman’s quirky performance as Sam. The whole story was very awkward. It was basically about two awkward kids trying to run away, one from a dysfunctional and awkward family. And Gilman portrayed this awkwardness beautifully.

It was partially how well the script was done, but it wouldn’t have been the same movie had Gilman not been so good. His slight lisp and dorky mannerism made for an emotionally investing and relate-able character.

Best Supporting Actress

WINNER: Anne Hathaway – Les Miserables

I nominated her twice. Did you seriously think she wasn’t going to win?

Hathaway is turning out to be a real go-getter. She’s taking big roles that if she doesn’t nail, she’ll be ridiculed for. Taking Catwoman in The Dark Knight Rises is a good example of this. But really, she seems up for any challenge. Fantine wasn’t an easy character to do well. But she did it justice in a film that disappointed.

Her take of “I Dreamed A Dream” was surprisingly good, though I’m not sure where her character summoned the strength to sing it seeing as she was dying. But it was exhilarating nonetheless. She did it all well; it’s unfortunate she didn’t last longer in Les Mis.

Best Supporting Actor

WINNER: Javier Bardem – Skyfall

"....How are those Calvin Klein underpants NOW, Bond?"

“….How are those Calvin Klein underpants NOW, Bond?”

Holy guacamole…Javier Bardem totally bad-ass in Skyfall.

Playing one of the scariest Bond villains to date, Bardem belted it out of the park. He was all like “I have a crazy accent and you don’t know what country I’m from or what I’ve been through” and Bond was all like “Even though I’m James Bond and once defeated the likes of a metal-jawed tough guy and head-slicing Asian butler, I’m totally scared of you.”

Every great Bond movie needs a great villain. Skyfall was absolutely fantastic which must mean that Bardem was good. And he was.

Very, very good.

Best Actress

WINNER: Jennifer Lawrence – Silver Linings Playbook

Better than The Hunger Games, I can tell you that.

Lawrence was solid in this. Solid as a mentally unstable widow. Wait, what?

J-Law, as she was referred to by Will Ferrell and Kristen Wiig at the Golden Globes, put in a fantastic performance in Silver Linings Playbook. She was funny, and although the film was light-hearted, Lawrence showed the deepest emotion and soundest acting in the whole thing. I was very impressed with her ability to draw a feeling from the viewer, and really connect with her partners on screen.

Silver Linings Playbook was an outstanding picture, with outstanding performances being accompanied by outstanding writing. All in all, J-Law did a superb job acting a role that was one of the most complicated in all films last year.

Best Actor

WINNER: Daniel Day-Lewis – Lincoln

"Heeeeeres....Danny!"

“Heeeeeres….Danny!”

If I didn’t give Daniel Day-Lewis this one, I’d probably be breaking a law.

Day-Lewis was absolutely amazing in Lincoln. His mere presence on screen was enough for me. He didn’t even need to talk for me to enjoy his performance here. But guess what? HE TALKED! And it was magical!

The way he powered through his lines was like nothing I’ve ever seen before. Every line was as important as the other. He could’ve been asking for a quarter-pounder at McDonalds and the whole room would’ve began applause.

His powerful nature when talking was completely contradicted when he moved around. Calm, layed-back and mellow which was fantastic. What a chilled-out president.

Here-here for Daniel Day-Lewis.

*****

In the final SAGMA awards batch: Best & Favourite Picture, Best Director PLUS a secret award.

Follow me on Twitter: @ElroyRosenberg

2013 SAGMAs – Minor Award Winners

It’s the day you’ve all been waiting for. The day that I announce the first batch of the 2013 SAGMA Winners. Well, let’s do it.

The awards being given out today are the “Minors”. Now, don’t be mistaken; these elements of a film are just as, if not more important than the others. But, come on…who watches the Oscars to see who won “Best Cinematography”?

The awards being given out today: Best Screenplay, Best Visual Effects, Best Cinematography, Best Arthouse Movie, Best Music, Biggest Disappointment.

To see the nominees, click here.

*****

Best Screenplay

WINNER: Joss Whedon – The Avengers

Hey look...it's The Avengers.

Hey look…it’s The Avengers.

I absolutely loved The Avengers. This movie ticked all the boxes for me. Compelling characters, good acting, fantastic direction, and that little touch of humour that’s rare to find in this quality. The screenplay for The Avengers is a slice of gold. I loved the style of it all; which is probably why Moonrise Kingdom was next in line. Joss Whedon’s interpretation of, what some may call a “freak show” turned out to be a mixture of light, witty dialogue and fast-paced action scenes. The plot wasn’t very deep, but really, besides Nolan’s Batman films, who’s seen a Superhero movie with a really detailed plot? Not me. Whedon did Marvel proud on this one.

Don’t be disheartened, Wes Anderson. Your script was dynamite. Just because you didn’t win a SAGMA in 2013 doesn’t mean you can’t come back and do it all over again. Whatever screenplay you write, I’m sure you’ll be there abouts.

Best Cinematography

WINNER: Roger Deakins – Skyfall

So, if you haven’t read my review of Skyfall, here are my thoughts in a nutshell: it was awesome. This movie did everything for me. When I’m cold and scared, lying in a gutter one day, I’ll think of James Bond feeding some guy to a Komodo Dragon, and I’ll feel better.

All jokes aside, the cinematography in this movie was impeccable. The scene where Bond and the Assassin fight in Shanghai was so beautiful. Not because the bad guy lost (SPOILERS….oops), but the neon lights where so beautifully weaved in and out of the skyscraper. This link is for the fight but unfortunately it doesn’t show the assassination that happens before…oh man, those neon lights.

Every scene in this movie is so beautiful in terms of background, setting and shooting, it’s hard to fault the movie whatsoever. Need convincing? Watch this.

Best Visual Effects

WINNER: Prometheus

Tell me that doesn't look amazing.

Tell me that doesn’t look amazing.

Prometheus didn’t do a whole lot for me. At first thought, I was kind of in a trance. I wasn’t thinking straight. I hope you can excuse my shockingly blind and undetailed review of it (the first review I did, which was started under the covers of my bed at 11:40pm, and finished by 11:55). The plot was a bit iffy, and the scientists were among the dumbest scientists on Earth. The mission would’ve been more successful if it was the Three Stooges on that ship and not Dr. Elizabeth Shaw. But hey, what are you gonna do. The Visual Effects were good. Isn’t that enough?

Best Music

WINNER: Hans Zimmer – The Dark Knight Rises

Hans Zimmer is by far the number one guy on the film music market. His knack for making any scene exciting, whether it’s some idiot getting what’s coming to him (a neck break at the hands of Bane) or Alfred pouring his heart out and Bruce giving him the cold shoulder, is beyond any other composer out there in the film industry at the moment.

Sure, I didn’t like this movie even a fifth of what I hoped I would, but Hans did a great job…again. Read my review of The Dark Knight Rises here.

But seriously, HOW DOES BANE EAT?

Best Arthouse Movie

WINNER: Moonrise Kingdom

The more I think about this movie, the more I seem to enjoy it.

– Elroy Rosenberg (from my review which can be found here)

Moonrise Kingdom is the perfect “I could watch this over and over again” movie. The script was funny and readable. The cinematography was really well done. The acting was great. The direction was stunning. Good story, good characters…I could go on and on. But I don’t need to, because my review is waiting for your eyes. Read it. READ IT.

Biggest Disappointment

WINNER: The Amazing Spider-Man/The Dark Knight Rises (tie)

How do I eat, you might ask...and I would say, "....I don't know".

How do you eat- you might ask…and I would say, “….I don’t know”.

The Amazing Spider-Man and The Dark Knight Rises were just…wrong. The whole thing was wrong.

Spider-Man was wrong on SO MANY LEVELS. The music sucked big time. The plot had no element that I gave half a crap about. The characters, besides Gwen Stacy, were very poorly written and the whole thing just felt forced. I had high expectations for this film…and now I’ve lost faith in human life. Yeah, I reviewed it. Read it here.

The Dark Knight Rises wasn’t as bad as the Spider-Man flick was. But compared to the other Batman films (masterpieces), this thing was so disappointing. The Dark Knight had substance, and I cared about what happened. I felt EMOTION. This movie just made me think of Bane as a “mean gentleman” who has a stupid British voice and likes to break necks. A nuclear bomb? This was just a poorer version of the Simpsons episode where Bart, Lisa and Skinner have to stop the bullies from detonating the stink-bomb at the Cake Stall. Good episode, by the way.

Again, HOW DOES BANE EAT!?!?!?!?!?!?

*****

In the next SAGMA awards batch: All individual actor/actress awards.

Follow me on Twitter: @ElroyRosenberg

2013 SAGMAs – Nominations

What are the SAGMAs?

SAGMA stands for: Silver Screener’s Annual Good Movie Awards. It’s my annual awards ceremony celebrating the best of the best from the last 12 months. It’s like the Academy Awards…except it means more.

*****

Bryan Cranston and Ben Affleck in Argo. If it gets a lot of SAGMA nominations, it must be good.

Bryan Cranston and Ben Affleck in Argo. If it gets a lot of SAGMA nominations, it must be good.

The films I’ve seen in the last year:

A Cat In Paris, The Amazing Spider Man, Argo, The Artist, The Avengers, Beasts of the Southern Wild, The Best Exotic Marigold Hotel, The Bourne Legacy, The Campaign, The Dark Knight Rises, End of Watch, Game Change, HOWZAT! Kerry Packer’s War (Australian), Hugo, The Hunger Games, The Imposter, Jack Reacher, Les Miserables, Lincoln, Looper, Moonrise Kingdom, Prometheus, Robot & Frank, Silver Linings Playbook, Skyfall, Snow White and the Huntsman, Trouble with the Curve, Underground: The Julian Assange Story (Australian).

Okay, let’s get to the nominations.

Best Picture: Argo, The Artist, The Avengers, Beasts of the Southern Wild, End of Watch, Howzat! Kerry Packer’s War, Hugo, Moonrise Kingdom, Silver Linings Playbook, Skyfall.

Favourite Picture: Argo, The Avengers, End of Watch, Howzat! Kerry Packer’s War, Moonrise Kingdom, Robot & Frank, Silver Linings Playbook, Skyfall.

Best Director: Ben Affleck (Argo), Michel Hazanavicius (The Artist), Joss Whedon (The Avengers), Wes Anderson (Moonrise Kingdom), Martin Scorsese (Hugo), David O. Russell (Silver Linings Playbook), Sam Mendes (Skyfall).

Best Actor: Jean Dujardin (The Artist), Hugh Jackman (Les Miserables), Daniel Day-Lewis (Lincoln), Jared Gilman (Moonrise Kingdom), Frank Langella (Robot & Frank), Bradley Cooper (Silver Linings Playbook).

Best Actress: Quvenzhané Wallis (Beasts of the Southern Wild), Julianne Moore (Game Change), Kara Heyward (Moonrise Kingdom), Jennifer Lawrence (Silver Linings Playbook).

Best Supporting Actor: Tom Hiddleston (The Avengers), Michael Pena (End of Watch), Woody Harrelson (Game Change), Bruce Willis (Moonrise Kingdom), Robert De Niro (Silver Linings Playbook), Javier Bardem (Skyfall).

Best Supporting Actress: Berenice Bejo (The Artist), Anne Hathaway (The Dark Knight Rises), Anne Hathaway again (Les Miserables), Sally Field (Lincoln), Charlize Theron (Snow White and the Huntsman).

Best Performance from a child: Quvenzhané Wallis (Beasts of the Southern Wild), Asa Butterfield (Hugo), Daniel Huttlestone (Les Miserables), Jared Gilman (Moonrise Kingdom), Kara Heyward (Moonrise Kingdom).

Breakthrough Performance: Tom Hiddleston (The Avengers), Michael Pena (End of Watch), Aaron Tveit (Les Miserables), Jared Gilman (Moonrise Kingdom), Kara Heyward (Moonrise Kingdom).

Best Screenplay: Chris Terrio (Argo), Joss Whedon (The Avengers), David Ayer (End of Watch), Wes Anderson (Moonrise Kingdom), David O. Russell (Silver Linings Playbook).

Best Visual Effects: The Amazing Spider Man, The Avengers, The Dark Knight Rises, Prometheus, Snow White and the Huntsman.

Best Cinematography: Rodrigo Prieto (Argo), Seamus McGarvey (The Avengers), Robert Richardson (Hugo), Danny Cohen (Les Miserables), Janusz Kaminski (Lincoln), Roger Deakins (Skyfall).

Best Arthouse Movie: Beasts of the Southern Wild, Moonrise Kingdom, Robot & Frank.

Best Music: Alexandre Desplat (Argo), Ludovic Bource (The Artist), Hans Zimmer (The Dark Knight Rises), Howard Shore (Hugo), John Williams (Lincoln), Thomas Newman (Skyfall).

Biggest Disappointment: The Amazing Spider Man. The Bourne Legacy, The Campaign, The Dark Knight Rises, The Hunger Games, Prometheus.